Keywords: musical television, popular TV projects, vocal talent shows, musical TV show


The article is devoted to the study of the general state of television in the field of music performance. The most popular musical television programs and vocal shows are considered. The purpose of the work is to identify the features of music TV projects, comparing with world models and highlighting the typical features of the musical television space. The research methodology consists in applying the general principles of scientific knowledge that correspond to modern cultural discourse. The formation of musical and television projects in the context of changes in the social mentality of the consumer of mass culture is considered. Television is interpreted as a means of approaching the global process closer to a person, that is, a consumer communicates with world-wide examples of popular art, music television projects, vocal show projects and etc. It creates the preconditions for imitation of the best world models of music TV projects in Ukraine. The article first analyzes the interconnection of Ukrainian music television projects as analogues to such worldwide shows as "The Voice", "The X factor", "American Idol". Vocal talent shows are considered as combining the elements of a “game show†and a “perfection / transformation showâ€, promoting the development of the educational component, namely, the formation of educational activity through comments and advice of judges, classes with participants between performances, determination of the most successful performances, concert practice and etc. It was determined, that the vocal repertoire consists of the most popular world and national hits, which reflects the demand of the audience. It was noted, that the viewer influences the selection of participants in a music television project and functions as an additional judge. So, the article focuses on the structure and content of musical television projects, defines the values of such projects as the communication space of culture between the audience, the artistic and performing component, and the national and world music culture as a whole. Music television projects are part of the general educational context for the development of media art and have a scientific, artistic and educational potential for study.


Download data is not yet available.

Author Biography

Oleksandra Loktionova-Oitsius, Borys Grinchenko Kyiv University

Department of Academic and Solo Vocal

Institute of Arts


Padeiskii, V. V. (2015). Proektirovanie teleprogramm. Moscow: IUNITI-DANA, 239.

Sherstoboeva, E. A. (2009). Muzykalnoe televidenie: programmnye i strukturno-funktsionalnye osobennosti. Moscow, 24.

Novikova, A. A. (2008). Sovremennye televizionnye zrelischa: istoki, formy i metody vozdeistviia. Saint Petersburg: Aleteiia, 208.

Stanislavska, K. I. (2016). Mystetsko-vydovyshchni formy suchasnoi kultury. Kyiv: NAKKKiM, 352.

Vartanov, A. S. (2003). Aktualnye problemy televizionnogo tvorchestva: Na televizionnykh podmostkakh. Moscow, 143.

Feys, M., Anseel, F. (2014). When idols look into the future: Fair treatment modulates the affective forecasting error in talent show candidates. British Journal of Social Psychology, 54 (1), 19–36. doi: http://doi.org/10.1111/bjso.12063

Redden, G. (2010). Learning to Labour on the Reality Talent Show. Media International Australia, 134 (1), 131–140. doi: http://doi.org/10.1177/1329878x1013400114

Robinson, K (2014). TV Talent Shows: Navigating the Minefield. Journal of Singing, 70, 171–178.

Tsybulko, K. (2007). Realni shou: Istoriia rozvytku. Televiziina y radiozhurnalistyka, 7, 123–129.

Kurysheva, T. (2007). Musical journalism and musical criticism: textbook. VLADOS. Moscow, 295.

👁 327
⬇ 157
How to Cite
Loktionova-Oitsius, O. (2020). POPULAR MUSICAL TELEVISION PROJECTS OF THE LATE XX – EARLY XXI CENTURIES. EUREKA: Social and Humanities, (5), 3-8. https://doi.org/10.21303/2504-5571.2020.001425
Arts and Humanities